Claudia Schmidt

CLAUDIA SCHMIDT & HER FUNTET New CD Release "Promising Sky"

I first heard Claudia Schmidt more than 30 years ago. She struck me, back in the late-‘70s, as one of those people who is just inherently musical as she’d move, seemingly effortlessly from a Michael Smith song, to a blues standard, to a traditional ballad sung a cappella. Listening to her records over the years – it’s probably 20 years or so since I’ve seen her live – I’ve not changed my mind about that musicality.

Although she came out of the folk scene, and has kept one of her feet firmly planted there, in recent years Claudia has simultaneously devoted herself to jazz. Several of the CDs that she’s released recently have been fine jazz efforts while others have remained in the folk vein.

Promising Sky, Claudia’s new album, blends her folk and jazz influences and adds some blues and world music spicing in a fine collection of mostly-original material.

Among the highlights is “Wisconsin Country,” a haunting song that has Claudia’s ethereal vocals supported by the bowed bass of Jack Dryden and flute of Nancy Stagnitta, as she describes an autumnal journey through the countryside and into herself. Another is “If All Goes Well,” a jazzy tune about the resiliency of the human spirit. I also really like her version of “We’ll Be Together Again,” a standard familiar from the vocal-piano duets of Tony Bennett and Bill Evans. This version features Claudia’s voice and 12-string guitar receiving some quietly-soulful support from mandolinist Don Julin, bassist Dryden and drummer Randy Marsh.

I have to say, though, that my absolute favourite song on the CD is the title track. Sung a cappella with harmonies from Seth Bernard, May Erlewine and Rachael Davis, “Promising Sky” is a bright, gorgeous, hope-filled song inspired by the choral tradition of South Africa.

Those who keep trying to categorize Claudia Schmidt's music should just give it up and file her under the general category 'TALENT' Big talent.
Post-Bulletin (Rochester, Mn.)

Schmidt is a one-woman revitalization movement. .Schmidt is the best at what she does.
The Tribune (Oakland, Ca.)

Claudia Schmidt is a true artist-she has talent AND the fire of genius
The Boston Globe

She comes at you straight from the shoulder, letting the listener feel the full impact of heer delivery, leaving nothing behind.
David Nathan (AllAboutJazz.com)

Claudia, Claudia, Claudia, that's all you need to say. .one of the finest folk voices ever to pick up a mic. Chocolatey smooth vocals swirled into jiving notes. Too delicious!

Border's Books and Music.
Claudia Schmidt belongs to the genre of hyperliterate songwriters, a word-monger of the first order, sometimes bursting at the boundaries of song form. In addition, she's a firecracker of a singer, irrepressibly emotional, and a radiant, almost overwhelming performer. It's the folksinger trifecta, and in this Schmidt is nearly in a class by herself

Both the terror and sedutiveness of the dark have long been a theme in Schmidt's songs-the title cut, the dark, jazzy "Chickasdee Blues", the terrifying "Trailhead", and the urgent "Waiting" all concern mortality and our sidelong relationship with it. On the other hand, she gives her inner cabaret singer free reign in the comically minor-key "Too Late for Breakfast", and the funny musical-theater-flavored "Be Nice"..

Despite a career spanning nearly four decades, her intense, incandescent vocal style shows no sign of dimming, and nowhere is that more evident than in "Christmas Eve", one of the finest peace-on-Earth anthems ever written. "The Moment They Knew", a haunting treatment of the big-bang, universe-creating moment when two people fall in love, is that rarest of birds: an utterly original song about love. (Chris Rietz, Lansing State Journal, on her 2006 release, "Spinning".)